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  • Author: Jason Hill

Film Language

Pacing: The Speed of The Story

Developing your own speedometer for scenes Pacing in story is basically the speed at which the story is told. At certain story twists and turns, ...

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Film Language

Emotion is your end goal as a storyteller

How to get a strong audience reaction from your characters Let’s have a chat about emotions. Emotion in visual stories is the ultimate goal of ...

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Film Language

Camera-Work Comparison: Michael Bay vs. Wes Anderson

What you can learn from different camera-work styles How the camera is used can be as important for a director as the story itself. In ...

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Career Tips

How to land a job if you have zero experience

Getting A Gig That’ll Lead You To The Top! Do you want to work on big Hollywood movies? The thing with jobs on big-budget productions ...

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Career Tips

Is school getting in the way of your education?

Alternative ways to learn storytelling. Don’t let schooling interfere with your education. – Mark Twain The knowledge of our craft must be pooled, as it ...

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Film Language

How To Maul Your Audience– With Visual Story!

Everybody knows this scene. Even if you didn’t see the movie, you may have heard about the bear-attack scene from The Revenant. It’s such a ...

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Film Language

How to Creepify Your Horror Scenes with these Alien Tricks

The ’70s have no shortage of memorable horror movies. But to me, it’s those movies you don’t expect to scare you that end up staying ...

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Film Language

The Movie Genre Every Story Artist Should Study

Great Movie Scenes for Story, Part 3: The Triangle Duel / The Good, the Bad, and the Ugly Westerns have some great scenes for building ...

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Film Language

What A Story Artist Can Learn From Captain Kirk

Great Movie Scenes for Story, Part 2: Kirk vs. Khan / Star Trek 2: The Wrath of Khan Before J.J. Abrams helmed the return of ...

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Film Language

What you can learn from dead Japanese filmmakers

Great Movie Scenes for Story, Part 1: Kikuchiyo’s Monologue / Seven Samurai We all have our favorite scenes, from the subtle exchange of lines and ...

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